首页|文创产品中的民族传统纹样应用研究

文创产品中的民族传统纹样应用研究

Research on the Application of Mongolian Patterns in Cultural and Creative Products

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蒙古族纹样,植根于蒙古民族的游牧文化,在生产、生活中产生,它既可折射示出蒙古族文化的方方面面,也是中华民族文明发展的重要组成部分.在历史的长河中,蒙古族纹样博采众长、兼容并蓄,是取之不尽,用之不竭的造型艺术资源.不仅受到蒙古族民众的喜爱,也得到各民族人民所喜爱.在琳琅满目的文创产品中,带有蒙古族纹样造型的文创产品往往更能引人注目.本文即是通过对蒙古族传统纹样演变、发展的过程及艺术特点进行探究,对其形式特征,色彩语义,美学价值等方面进行阐述,分析蒙古族纹样在一些文创产品设计中的应用案例,为探求蒙古族纹样与现代文创产品的融合提供一条可不断拓展的路径.
Mongolian patterns originate from nature and life,innovate in inheritance and develop in blending.National pattern is not a unique graphical language of a nation.Taking Mongolian patterns as an example,based on Mongolian culture,produced in production and life,it can show the overall appearance of Mongolian material and spirit,representing a part of Chinese civilization with a long history.In the long course of history,Mongolian patterns are extensive and inclusive,and the treasure house of Mongolian culture is inexhaustible.It is not only loved by its own people,but also loved by people of all nationalities.In the dazzling array of cultural and creative products,cultural and creative products with ethnic pattern factors are often more eye-catching.By exploring the evolution and development process and artistic characteristics of Mongolian traditional patterns,this paper expounds its form characteristics,color semantics,aesthetic value and other aspects,analyzes its application cases in the field of modern cultural and creative product design,and provides a new development idea for exploring the integration of Mongolian patterns and modern cultural and creative products.

The Mongolian nationalityNational patternsCultural and creative productsBlending innovation

王馨婕、朱麟

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中南民族大学 湖北 武汉 430070

韩国忠北大学 韩国 清州28644

蒙古族 民族纹样 文创产品 交融创新

内蒙古自治区高等学校科学研究项目名栏建设专项项目2020年度中南民族大学课程思政项目

NJMZ1706KCSZX20031

2024

内蒙古艺术学院学报
内蒙古大学艺术学院

内蒙古艺术学院学报

CHSSCD
影响因子:0.188
ISSN:2096-5621
年,卷(期):2024.21(2)
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