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论《约翰·克利斯朵夫》中女性形象的生命姿态

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《约翰·克利斯朵夫》中女性各具特色的生命姿态是克利斯朵夫生命进程中不可或缺的参与者和建构者。深入分析《约翰·克利斯朵夫》中女性形象的生命姿态是把握《约翰·克利斯朵夫》的深层主题及价值内涵的重要途径。第一类女性形象以"情欲"为媒介与克利斯朵夫发生关联,代表人物是弥娜、阿达和阿娜三人,她们让克利斯朵夫的心智在痛苦与绝望之中逐渐走向健全。以鲁意莎、阿玛利亚和安多纳德为代表的第二类女性形象以其生命姿态中内涵各异的责任意识使克利斯朵夫走出相对狭隘的个体生命,开始接近民众。以克里赫太太、萨皮纳和葛拉齐亚为代表的第三类女性形象以生命姿态中的恬静境界引导着克利斯朵夫不断地自我超越,使他从宇宙意识的高度反观生命,最终找到了灵魂的安宁。女性形象不仅仅是克利斯朵夫的陪衬,更是克利斯朵夫的生命之河向着更远更开阔的方向流去的推动力与保障。
On the Life Postures of Female Characters in John Christopher
The unique life postures of women in John Christopher are indispensable participants and constructors in Christo-pher's life process.An in-depth analysis of the life postures of female characters in John Christophe is an important way to grasp the deep themes and value connotations of John Christophe.The first type of female image is associated with Christopher through the medium of"lust",represented by Mina,Ada,and Ana,who gradually help Christophe's mind to become sound in pain and despair.The second type of female image represented by Luisa,Amalia,and Andonard,with their diverse sense of responsibility in their life postures,enable Christophe to step out of his relatively narrow individual life and begin to approach the public.The third type of female image,represented by Mrs.Krich,Sapina,and Gracia,guides Christopher to constantly surpass himself with a peaceful state of life posture,allowing him to reflect on life from the height of cosmic consciousness and ultimately find the peace of the soul.The female image is not only a backdrop for Christopher,but also a driving force and guarantee for Christo-pher's river of life to flow further and wider.

John Christophefemale characterlustresponsibilityquiet

王治国、席佩瑶

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南阳师范学院 期刊部,河南 南阳 473061

南阳师范学院 文学院,河南 南阳 473061

约翰·克利斯朵夫 女性形象 情欲 责任 恬静

2025

南阳师范学院学报
南阳师范学院

南阳师范学院学报

影响因子:0.187
ISSN:1671-6132
年,卷(期):2025.24(2)