论卞之琳《十年诗草(1930-1939)》的"非个人化"追求
On Bian Zhilin's Pursuit of"Impersonality"in Poems Created over the Ten Years(1930-1939)
刘家维 1周锋2
作者信息
- 1. 闽南师范大学 文学院,福建 漳州 363000
- 2. 浙江大学 当代马克思主义美学研究中心,浙江 杭州 310058;浙江树人大学 人文与外国语学院,浙江 杭州 310015
- 折叠
摘要
卞之琳着眼于时代背景,在扎根传统文化的同时,寻求与西方诗人艾略特"非个人化"理论的契合点,在 20 世纪 30 年代创作了众多具有独特审美韵味的诗歌.在他的经典之作《十年诗草(1930-1939)》中,卞之琳以微观视角中的日常物象重构意象语言,以戏剧化的表达策略构建诗歌形体,强调用客观化的抒情方式来突出情境的张力,认为诗歌中的情感应当升华为超越个人化存在的具有普遍意义的情感,诗歌要以更加客观化的方式关怀社会人生,以更纯粹的理念表征世界、平衡秩序.
Abstract
Bian Zhilin focused on the historical background,rooted in traditional culture,while seeking a point of conver-gence with the"impersonality"theory of western poet Eliot.In the 1930s,he created numerous poems with unique aesthetic charm.In his classic work Poems Created over the Ten Years(1930-1939),Bian Zhilin reconstructs the language of imagery from a micro perspective of daily objects,reconstructs the form of poetry with dramatic expression strategies,emphasizes the use of ob-jective lyrical methods to highlight the tension of the situation,and believes that emotions in poetry should be sublimated into uni-versal emotions that transcend individual existence.Poetry should care for society and life in a more objective way,represent the world and balance order with purer ideas.
关键词
卞之琳/《十年诗草(1930-1939)》/非个人化Key words
Bian Zhilin/Poems Created over the Ten Years(1930-1939)/impersonality引用本文复制引用
出版年
2025
国家科技期刊平台
NSTL
万方数据