《聊斋志异》中"墙"的艺术意象浅析
A Brief Analysis of the Art Imago of "The Wall" in Liaozhai Zhiyi
王小树1
作者信息
- 1. 中国艺术研究院 研究生院,北京 100029
- 折叠
摘要
蒲松龄在《聊斋志异》中构建自己的文学宇宙,让主人公人间冥界、现实幻境自由穿梭,为此他在小说的行文构思中使用了多种"道具",助力主人公物理空间的"瞬移",以完成独树一帜的艺术表现.在各种频繁出现的"道具"中,"墙"作为文学叙事的"媒材"尤为耐人寻味.蒲松龄用"墙"沟通现实与幻境,助益"志怪"叙事,链接读者与文本,在成就小说的艺术意蕴和主题表达方面堪称神来之笔.从艺术意象的角度解读分析《聊斋志异》,可以发现这部古代小说更多的创作造诣和艺术审美.
Abstract
Pu Songling constructs his own literary universe in Tales of Liaozhai,allowing the hero to travel freely through the underworld and the fantasy of reality.For this reason,he used a variety of"props"in the writing of the nov-el to help the protagonist's teleportation of physical space to complete a u-nique artistic expression.In all kinds of"props"that he used to using in his stories,the"wall"as a literary narrative media is particularly attractive.Pu Songling skillfully employs the motif of the"wall"to convey a seamless blend of reality and fantasy,enriching the narrative of the"strange."This technique establishes a profound connection between readers and texts,showcasing his mastery in achieving artistic implication and thematic expression within the novel.From the perspective of artistic imagery,we can discern a greater level of creative achievements and aesthetic beauty in this ancient novel.
关键词
《聊斋志异》/艺术意象/"墙"Key words
Liaozhai Zhiyi/art imago/the wall引用本文复制引用
出版年
2023
NETL
NSTL
万方数据