从《聊斋志异》手稿本修改痕迹看蒲松龄的审美追求
Pu Songling's Aesthetic Pursuit from the Traces of Revision in the Liaozhai Zhiyi Manuscript Book
张正1
作者信息
- 1. 山东大学 文学院,山东 济南 250100
- 折叠
摘要
《聊斋志异》文本的来源及其价值历来为研究者关注,蒲松龄手稿本中的修改痕迹显示了该书成书过程中部分文本的动态变化路径,而作者创作时的心路历程和审美追求也可由此管窥一二.通过对手稿本修改痕迹的研究,可以发见蒲松龄详与略之间的创作心路、重视形象连贯性的写人策略和灵活避复的命笔捷思.这些发现可以与以往研究者对其他版本文本的批评互为补充,共同揭示出《聊斋志异》文本的审美价值.
Abstract
The source of the text of Liaozhai Zhiyi and its value have always been the concern of researchers.The traces of modification in Pu Songling's manuscripts show the dynamic path of change of part of the text in the process of the book's formation,and the author's journey and aesthetic pursuit of creation can also be glimpsed through this.Through the study of the traces of revision in the manuscripts,we can discover Pu Songling's creative path between detail and omission,his writing strategy of emphasizing the coherence of the image,and his flexible and avoidance of repetition.These findings can complement the criticisms of previous researchers on the revised version of this text,and together they reveal the aesthetic value of the text of Liaozhai Zhiyi.
关键词
《聊斋志异》/蒲松龄/手稿本/写人/审美Key words
Liaozhai Zhiyi/Pu Songling/manuscript text/writing about people/aesthetics引用本文复制引用
出版年
2024
NETL
NSTL
万方数据