吐蕃立鸟纹锦所见中西技术互动与文化交融
The interaction of Chinese and Western Techniques and cultural integration observed in the Tubo Bird Patterued Brocade
杨富学 1孙志芹2
作者信息
- 1. 敦煌研究院 人文研究部,甘肃 兰州 730030
- 2. 盐城工学院 设计艺术学院,江苏 盐城 214001
- 折叠
摘要
立鸟纹锦是6-7世纪萨珊纺织品中的流行图像,在丝路沿线广为传播,影响深远.汉文化圈工匠在模仿与借鉴的基础上促进了唐系纬锦的发展;吐蕃在不断外扩的基础上建立了纺织基地,产生了一批独具特色的立鸟纹锦.从古代纺织技术角度看,中西织造技术的交流与互鉴,对吐蕃时期的立鸟纹锦的艺术形式和织造特征的形成具有重要影响.吐蕃时期流行的立鸟纹锦,虽以中亚斜纹纬锦织造技术为主,但也巧妙吸收了汉民族织锦的技艺特征,从而让立鸟纹锦焕发出新的艺术魅力.造型丰富、独具特色的立鸟纹锦,既显示出吐蕃贵族对丝绸审美水平的提升,也生动呈现出此时期中西织工交流互鉴的史实.
Abstract
Standing bird pattern brocade is a popular image in Sassanian textiles from the 6th to 7th centuries.It was widely spread and had a profound impact on the Silk Road.On the basis of imitation and reference,Han craftsmen promoted the development of weft brocade in the Tang Dynasty.On the basis of continuous expansion,Tibetan empire established a textile base and produced a number of unique standing bird brocade.In view of this,the article explores the exchange and mutual learning between Chinese and western textile and weaving technologies in the Tibetan Period from the perspective of ancient textile technology,and combs the artistic form and weaving characteristics of bird shaped brocade in the Tibetan Period by using graphic data and relics.The research shows that although the popular standing bird pattern brocade in the Tibetan Period mainly used the weaving technology of Central Asian twill weft brocade,it also cleverly absorbed the technical characteristics of the Han brocade,so that the standing bird pattern radiated a new artistic charm.The bird pattern brocade with rich shapes and unique features not only shows the improvement of the Tibetan aristocrats'aesthetic level of silk,but also vividly presents the historical facts of the exchange and mutual learning between Chinese and Western weavers in the Tibetan period.
关键词
吐蕃/立鸟纹锦/粟特纬锦/唐系纬锦/番锦Key words
Tubo/standing bird pattern brocade/weft-patterned brocade of sogdian/weft-patterned brocade of Tang Dynasty/Tubo brocade引用本文复制引用
出版年
2024
NETL
NSTL
万方数据