首页|神性的祛魅:施蛰存历史小说的讽刺艺术

神性的祛魅:施蛰存历史小说的讽刺艺术

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施蛰存是中国现代派小说的奠基人之一,在 20 世纪 20 年代至 30 年代创作的《鸠摩罗什》《石秀》等 6 篇历史小说,以小说改写历史故事,用弗洛伊德心理分析法独辟蹊径深入历史人物内心深处,挖掘人物潜意识状态,窥探人性深处,袒露一个个为人们熟知的历史人物不为人知的内心世界.作者用比喻、夸张、对比、象征等手法,在情节发展和人物形象塑造中,揭示"神性"与"人性"、"理性"与"本能"等矛盾,将历史故事中的"神"还原为人,将被历史神化的人物脱圣入俗,对女性角色的描写突破了"传统"的束缚,关注以"事实"和"表现"的对照、呈现人性与文明的对立冲突,以及对神性的虚伪和表里不一的嘲讽.这种在鲜明对比中的辛辣讽刺,不仅显现出强烈的批判精神和对被封建观念压迫的人性解放的呐喊,也拓宽了文学表达的途径,更为历史故事赋予了新的生命和表现力.
The Satirical Art of Shi Zhecun's Historical Novels
Shi Zhecun is one of the founders of Chinese modernist novels.He created six historical novels from the 1920s to the 1930s,including"Kumaros"and"Shixiu",which rewritten historical stories and used Freudian psychoanalysis to delve deeper into the hearts of historical characters,explore their subconscious states,explore the depths of human nature,and expose the unknown inner world of well-known historical characters.The author uses metaphors,exaggerations,contrasts,symbols,and other techniques to reveal the contradictions between"divinity"and"human nature","rationality"and"instinct"in plot development and character portrayal.The author restores the"gods"in historical stories to humans,and transforms the deified characters from the sacred to the secular.The description of female characters breaks through the constraints of"tradition",focusing on the contrast between"facts"and"expressions"Presenting the conflict between human nature and civilization,as well as mocking the hypocrisy and inconsistency of divinity.This sharp satire in stark contrast not only demonstrates a strong critical spirit and cries for the liberation of human nature oppressed by feudal concepts,but also broadens the channels of literary expression and endows historical stories with new life and expressive power.

Shi ZhecunHistorical novelspsychoanalysissatire

荀利波、依金

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曲靖师范学院 人文学院,云南 曲靖 655011

施蛰存 历史小说 心理分析 讽刺

云南省教育厅科学研究基金项目曲靖市教育体育局、曲靖师范学院教育科学规划联合项目

2023J1004QJQSKT2022ZD02

2024

曲靖师范学院学报
曲靖师范学院

曲靖师范学院学报

影响因子:0.374
ISSN:1009-8879
年,卷(期):2024.43(2)
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