芥川龙之介作品中的"江南"形象及其演变

The Image of"Jiangnan"and Its Evolution in the Works of Akutagawa Ryunosuke

周芷冰

芥川龙之介作品中的"江南"形象及其演变

The Image of"Jiangnan"and Its Evolution in the Works of Akutagawa Ryunosuke

周芷冰1
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作者信息

  • 1. 大连海事大学 外国语学院,辽宁 大连 116026
  • 折叠

摘要

自幼喜爱中国古典文学的芥川龙之介一直对浪漫的江南水乡有着特殊的好感.在中国旅行前,他就创作了《南京的基督》《奇遇》等充满浪漫气息和异国情调的江南题材作品.1921 年,芥川作为大阪每日新闻社的海外特派员游历了自幼憧憬的中国.不过,不断荒废和西化的"江南"令芥川十分失望,他心中幻想的那个浪漫与诗意交错的"江南"形象开始褪色,与此同时一个内忧外患不断,饱受战乱侵扰的近代"江南"出现在了芥川的笔端.而芥川"观察人类"的目光让他在江南百姓的身上发现了扎根于世世代代中国人内心深处的反抗精神与革命斗志.这些拥有旺盛革命精神的中国人让芥川看到了"江南"全新的一面,也从中感受到了中国的新生与希望.

Abstract

Akutagawa Ryunosuke,who was fond of Chinese classical literature since his childhood,had been specially fascinated with the romantic Jiangnan.Before the journey to China,he wrote works full of romance and exoticism about Jiangnan theme,such as The Christ of Nanjing and Encounter.In 1921,he traveled to China as an overseas correspondent for the Osaka Daily News Agency.But the continuous desolation and westernization of Jiangnan made him very disappointed,and the romantic and poetic image of Jiang-nan in his fantasy began to fade.At the same time,a real Jiangnan,suffering from both domestic trouble and foreign invasion,ap-peared in his writing.However,his sight of"observing the human"made him find the resistance spirit and revolutionary will rooted in the people in Jiangnan.He saw the new face of Jiangnan from the Chinese people full of revolutionary spirit and felt the rebirth and hope of China from it.

关键词

芥川龙之介/江南形象/中国趣味/中国革命

Key words

Akutagawa Ryunosuke/the images of Jiangnan/Chinese taste/Chinese revolution

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基金项目

辽宁省社会科学规划基金(L20CWW004)

出版年

2024
齐齐哈尔大学学报(哲学社会科学版)
齐齐哈尔大学

齐齐哈尔大学学报(哲学社会科学版)

CHSSCD
影响因子:0.237
ISSN:1008-2638
参考文献量11
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