莆仙地区"大神尪"傩舞的活态表征与文化演绎
The Representation and Cultural Interpretation of the Nuo Dance of"Holy Generals"in Puxian Area
林炜莉 1郑玉玲2
作者信息
- 1. 莆田学院 外国语学院,福建 莆田 351100
- 2. 闽南师范大学 闽南文化研究院,福建 漳州 363000
- 折叠
摘要
莆仙地区"大神尪"傩舞活态遗存在时空流变下,其"驱逐"原形被遮蔽,逐步变型为将驱恶纳吉、禳灾祈福作为主要诉求,以傩舞等传统歌舞仪式为主轴的祭祀巡游活动.在莆仙"大神尪"傩舞祭祀活动中,鲜明体现莆仙先民对驱鬼逐疫的追求、对加强联防的公共管理诉求、对无病无灾的祈求,其中亦蕴含莆仙传统社会中个人、族群及仪式之间的素朴哲思构建.
Abstract
The living form of the Nuo Dance of the"Holy Generals"in the Puxian area has been hidden under the changes of time and space.Its"expulsion"form has gradually transformed into a sacrificial parade activity with the main demand of expelling evil,re-ceiving good fortune,and praying for disaster,with traditional song and dance ceremonies such as Nuo Dance as the main axis.In the Nuo Dance sacrificial activity of the"Holy Generals",it vividly reflects the pursuit of the ancestors of Puxian to drive away ghosts and epidemics,the public management demand for strengthening joint prevention,and the prayer for no disease or disaster.It also contains the simple philosophical construction between individuals,ethnic groups,and rituals in the traditional society of Puxian.
关键词
莆仙地区"大神尪"傩舞/活态实存/文化演绎Key words
Puxian area/the Nuo Dance of the"Holy Generals"/lively state/culture and interpretation引用本文复制引用
基金项目
国家社会科学冷门绝学重大研究专项(19VJX151)
莆田学院校内科研项目(2021018)
出版年
2024
NETL
NSTL
万方数据