"复魅东方":丝绸朋克小说《狩猎愉快》的解构与重构
The Re-enchantment of the"Ancient China":On the Deconstruction and Reconstruction in Good Hunting
李明雪 1赵妍1
作者信息
- 1. 西安外国语大学 英文学院,陕西 西安 710128
- 折叠
摘要
《狩猎愉快》中,刘宇昆借古老狐妖传说主动"复魅"东方,但这并非迎合西方的"自我东方化"式书写,小说也未重设逆向的东西方对立,而是多元立体地解构了殖民话语的权威性和始源性,对东方主义的符号表征系统进行反叛,并进一步想象着西方科学技术与东方文化沉淀之间的平等对话、友好互动乃至有机结合.小说超越了科幻题材固有的殖民主义者视角,古老东方成为想象科技未来与科幻叙事的另一空间,体现出刘宇昆"丝绸朋克"小说的创作意蕴,即包容异质文化、超越族裔界限、促进多元文化交流互鉴.
Abstract
In Good Hunting,Ken Liu actively"re-enchants"the East by borrowing the ancient"hulijing"myth,but this is not a"self-Orientalization"writing catering for the West,nor does the novel reset the reverse opposition between East and West,but to deconstruct colonial discourse in a multi-dimensional way.It rebels against the Orientalism representation system,and further imagines equal dialogues,friendly interactions and even organic combinations between the Western technology and the Eastern cultural deposits.It therefore transcends the colonialist perspective inherent in mainstream science fiction,making the ancient China become another field for imagining the future technology and writing science fiction.This fact manifests Ken Liu's creation of"Silk-punk novel"aiming to embrace heterogeneous cultures,transcend ethnic boundaries,and achieve multi-culture communication.
关键词
《狩猎愉快》/丝绸朋克/刘宇昆/解构主义Key words
Good Hunting/Ken-Liu/silk-punk/deconstruction引用本文复制引用
基金项目
陕西省社会科学基金(2023H014)
陕西省教育厅重点科研项目(2023)(23JZ046)
西安外国语大学校级科研项目(2023SS107)
出版年
2024
NETL
NSTL
万方数据