首页|日本动画《新世纪福音战士》的角色塑造与精神外化

日本动画《新世纪福音战士》的角色塑造与精神外化

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由日本动画导演庵野秀明担任主要编剧及总导演的《新世纪福音战士》被看作引发了日本第三次动画热潮.这部作品的创作历程和角色塑造,体现了角色与创作者人生的重叠.《新世纪福音战士》的创作源于债务危机,从电视版到剧场版系列剧的创作延续了二十五年,为满足观众的期待庵野秀明不得不压抑自我精神的外化而陷入劳动异化的苦闷,最终庵野打破作品与生活的隔阂,为系列剧画上句号.剧中人物碇真嗣、碇源堂、绫波丽、明日香、渚薰和真希波分别体现庵野秀明精神世界的不同侧面,体现了其动画人物塑造与现实人生重叠的创作风格.
The role building and spiritual externalization of Japanese animation Evangelion
Evangelion,written and directed by Japanese animation director AnnoHideaki,is considered to have triggered the third wave of animation in Japan.The creation process and role shaping of this work reflect the overlap between the role and the creator's life.The creation of"Evangelion"originated from the debt crisis,and the creation of the series from the TV version to the theater version lasted for 25 years.In order to meet the audience's expectations,AnnoHideaki had to suppress the externalization of his spirit and fall into the pain of labor alienation.With the support of his wife,he finally broke the barrier between his work and life,ending the series.The characters Shinji Ikari,Gendo Ikari,Rei Ayanami,Asuka,Nagisa Kaoru and Makashiba embody different aspects of Anno Hidea-ki's spiritual world respectively,reflecting his creative style of animation character creation and real life overlap.

EvangelionAnnoHideakilabor alienation

侯达任、田明星

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哈尔滨师范大学 传媒学院,黑龙江 哈尔滨 150080

《新世纪福音战士》 庵野秀明 异化劳动

2024

齐齐哈尔大学学报(哲学社会科学版)
齐齐哈尔大学

齐齐哈尔大学学报(哲学社会科学版)

CHSSCD
影响因子:0.237
ISSN:1008-2638
年,卷(期):2024.(8)