文物陶俑在中国当代舞蹈创作中的活用

The use of Cultural Relics in Chinese Contemporary Dance Creation

陈萌

文物陶俑在中国当代舞蹈创作中的活用

The use of Cultural Relics in Chinese Contemporary Dance Creation

陈萌1
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作者信息

  • 1. 安徽艺术学院 舞蹈学院,安徽 合肥 230011
  • 折叠

摘要

陶俑是古代乐舞文化的一种物化形态和历史文化遗存,因蕴含大量社会信息、神话传说、典章制度以及审美样式,具有较高的考古价值与文化价值.陶俑作为中华优秀传统文化的代表性元素,不仅是"复现"和"重建"中国古典舞的生动窗口与重要依托,也被广泛运用于中国当代舞蹈创作之中,在历史意识与当代视野之间实现有效链接.在梳理中国古代舞蹈复兴之路的基础上,具体分析了孙颖《相和歌》、田湉《俑》系列、王舸《锦绣》几个以汉代陶俑为创作依据的经典舞蹈作品,指出文物舞蹈创作既要有历史意识,也要有当代视野.

Abstract

The terracotta figurines is a materialized form and historical and cultural relic of ancient music and dance culture,and it has high archaeological and cultural value because they contain a large amount of social information,myths and legends,laws and regu-lations and aesthetic styles.As a representative element of the excellent traditional Chinese culture,the terracotta figures are not only a powerful window and key support for"reproducing"and"rebuilding"Chinese classical dance,but also widely used in the creation of Chinese contemporary dance,realizing an effective link between historical consciousness and contemporary vision.On the basis of com-bing the road of revival of ancient Chinese dance,this paper analyzes several classical dance works based on the creation of pottery ter-racotta figures in the Han Dynasty by Sun Ying,Tian Tian's Terra-cotta Warriors series and Wang Ge's Splendid Embroidery.It points out that cultural relics dance creation should have both historical consciousness and contemporary vision.

关键词

陶俑/中国当代舞蹈创作/历史意识/当代视野

Key words

terracotta figures/Chinese contemporary dance creation/historical consciousness/contemporary vision

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出版年

2024
齐齐哈尔大学学报(哲学社会科学版)
齐齐哈尔大学

齐齐哈尔大学学报(哲学社会科学版)

CHSSCD
影响因子:0.237
ISSN:1008-2638
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