首页|清唱剧《冰凌花——永远的赵一曼》咏叹调的艺术特色与舞台实践

清唱剧《冰凌花——永远的赵一曼》咏叹调的艺术特色与舞台实践

The Artistic Characteristics and Stage Practice of the Aria of Oratorio Ice Flower-Eternal Zhao Yiman

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我国清唱剧将中国传统曲艺与西方音乐融合,作品的内容与表演风格具有鲜明的民族特色.清唱剧《冰凌花——永远的赵一曼》咏叹调在音乐本体、音乐风格、音乐形象、音乐语言等艺术层面再现了抗日女性英雄的光辉形象;用"柔中蕴刚"咏叹调的表演方式,通过不同演唱风格、演唱技巧、配器技术的妙用、适当的表演设计与服装道具等展现了清唱剧的整体舞台风貌,提升了清唱剧表演魅力.
Chinese oratorio integrates traditional Chinese folk art forms with Western music,and the content and performance style of the works have distinct national characteristics.The aria of the oratorio Ice Flower-Eternal Zhao Yiman reproduces the glorious image of the female anti-Japanese hero at the artistic levels of music ontology,music style,music image,and music language;using the performance style of the aria"Softness Embedded with Firmness,"through different singing styles,singing techniques,the ingen-ious use of orchestration techniques,appropriate performance designs and costume props,etc.,it presents the overall stage style of the oratorio and enhances the charm of the oratorio performance.

oratorioariaIce Flower-Eternal Zhao Yiman

王兆森

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辽宁歌剧院 艺术创作部,辽宁 沈阳 110000

清唱剧 咏叹调 《冰凌花——永远的赵一曼》

2024

齐齐哈尔大学学报(哲学社会科学版)
齐齐哈尔大学

齐齐哈尔大学学报(哲学社会科学版)

CHSSCD
影响因子:0.237
ISSN:1008-2638
年,卷(期):2024.(11)