首页|"一倡三叹"新诠——兼论《诗经》仪式乐歌的组诗性质及其文学史意义

"一倡三叹"新诠——兼论《诗经》仪式乐歌的组诗性质及其文学史意义

Interpretation of"Yi Chang San Tan"from a New Perspective:Also on the Compositional Nature of Ritual Songs in the Book of Songs and Their Literary Historical Significance

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"一倡三叹"中的"一倡"是指早期《诗经》仪式乐歌中的启始乐章,"三叹"则是指与"一倡"具有相同仪式目的的同一组颂歌.这些乐章表现出明显的组诗形态,实质上就是《诗经》音乐系统的构成部分.其音乐系统关注一组仪式乐歌在具体仪式中的目的性和制礼作乐背后折射出的政治权力和威望,而《诗经》文本系统则更加注重诗义的阐释,这与当时外交辞令中语言运用的功能性密切相关.
"Yi Chang"refers to the opening musical chapter in the early ritual songs of the Book of Songs,and"San Tan"refers to the same group of praise songs that share the same ritual purpose as"Yi Chang".These musical chapters exhibit distinct compositional forms and are essentially integral to the musical system of the Book of Songs.The musical system emphasizes the purpose of a group of ritual songs in specific ceremonies and reflects political power and prestige behind the rituals and music-making.On the other hand,the textual system of the Book of Songs focuses more on the interpretation of poetic meanings,closely related to the functional use of language in diplomatic rhetoric at that time.

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四川师范大学文学院

"一倡三叹" 《诗经》 组诗 音乐 文本

2024

四川师范大学学报(社会科学版)
四川师范大学

四川师范大学学报(社会科学版)

CSSCICHSSCD北大核心
影响因子:0.64
ISSN:1000-5315
年,卷(期):2024.51(1)
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