非自然的内容、非自然的形式——电影叙事的非自然性
Unnatural Content,Unnatural Form:The Unnaturalness in Film Narrative
刘宏伟 1马美1
作者信息
- 1. 天津外国语大学英语学院,天津 300204
- 折叠
摘要
后经典叙事学强调理论流派的融合发展,将电影叙事学与非自然叙事学相融合的电影非自然叙事研究成为后经典叙事学领域的一个必要支派.电影叙事中非自然的内容与非自然的形式是电影非自然叙事研究的核心问题.电影叙事内容的非自然性通过世界图式呈现为"不可能"的故事世界,电影叙事形式的非自然性与语篇图式和语言图式中出现的图式干扰相关.语篇图式的非自然性往往源于影片采用的伪线性和反线性的反常规叙事结构,语言图式的非自然性常常表现为视听并行与视听对立的反常规视听互动模式.
Abstract
Postclassical narratology is characterized by and values the integrated development of theoretical schools.The study of the unnaturalness in film narrative,an interface of film narratology and unnatural narratology,constitutes an indispensable sub-strand in the field of postclassical narratology.Therein lie the core issues on the unnatural content and unnatural form of film narrative.The unnaturalness of narrative content is displayed in the world schemas building of impossible story worlds;the unnaturalness of narrative form is related to the disruptions of text schemas and language schemas.Defamiliarized pseudo-linear and anti-linear narrative structures often contribute to the unnaturalness of text schemas,and the unnaturalness of language schemas is often manifested in such unconventional audio-visual interaction modes as audio-visual parallelism and audio-visual opposition.
关键词
电影非自然叙事/不可能的故事世界/反常规叙事结构/反常规视听互动Key words
unnatural film narrative/impossible story world/unconventional narrative structure/unconventional audio-visual interaction引用本文复制引用
出版年
2024
NETL
NSTL
万方数据