批判的电子信息与重构的爱欲伦理——论玛格丽特·阿特伍德"后叙事"中的数字人文精神
A Critique of Electronic Information and Reconstruction of Ethics for Love:On the Digital Humanism in Margaret Atwood's"Post-narrative"
王韵秋1
作者信息
- 1. 杭州电子科技大学外国语学院,浙江杭州 310018
- 折叠
摘要
玛格丽特·阿特伍德一直以来被称为加拿大后现代作家,但在2010年之后,其作品发生了一定的风格转向,即从一般的后现代叙事转向了超越的后现代叙事.这表现在其反乌托邦小说《最后死亡的是心脏》对电子信息技术的批判以及对社会伦理学的价值重构,前者暴露了电子信息社会模式背后隐藏的极权化、阶级化、制度化等潜在风险,后者呈现了爱欲与宽恕对数字时代 日趋扁平化的人的救赎.考察小说中电子信息工程与人之道德伦理之间的反乌托邦关系,不仅是揭示作家"后叙事"特质与数字人文精神的重要环节,也是电子信息等现代科技领域规避未来风险灾害的人文启示.
Abstract
Margaret Atwood has always been known as a postmodern Canadian writer,but after 2010,her style has undergone a certain change,that is,from the general postmodern narrative to transcendental postmodern narrative.This is reflected in her dystopian novel The Heart Goes Last,which is a criticism of electronic information technology and a reconstruction of the value of social ethics.The former exposes the potential risks of totalitarianism,classification and institutionalization hidden behind the model of electronic information society,while the latter presents the salvation of lust and forgiveness to the increasingly flat people in the digital age.Investigating the dystopian relationship between electronic information engineering and human morality and ethics in the novel is not only an important link to reveal the writer's"post narrative"characteristics and digital humanism,but also a humanistic enlightenment to avoid future risks and disasters in modern science and technology fields such as electronic information.
关键词
玛格丽特·阿特伍德/电子信息批判/爱欲伦理/数字人文Key words
Margaret Atwood/on electronic information/ethics for love/Digital Humanities引用本文复制引用
基金项目
国家社会科学基金项目(19FWWB027)
出版年
2024
NETL
NSTL
万方数据