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论《棋王》的身份操演性与寻根文学的"还原"倾向

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在"先谋生,后下棋"的忠告与无字棋的警示下,王一生一度将下棋视为低于生存需要的无功利行为;与倪斌的接触动摇了王一生的人生信条,"被征用为床的舞台"内置了身份操演与身体在世欲望的诱惑,王一生在棋赛中意识到棋不仅是使精神悬浮于肉身之上的"轻",更是支撑肉身的必要之"重",实现了从"为棋养性"到"为棋养生"的跨越;通过对"表演性"的引入,王一生消解了棋与生的对立性,彰显出寻根文学回归原点又超越之的"还原"书写策略.
The Identity Performativity of The King of Chess and the"Reduction"Tendency of Root-Searching Literature
Under the advice of"make a living first,then play chess"and the warning of wordless chess,Wang Yisheng regarded playing chess as a non-utility behavior which was lower than the needs of survival;the contact with Ni Bin shook Wang's life creed,the temptation of identity performativity and body's desire were built in"the stage requisitioned as a bed".During the chess competition,Wang realized that chess is not only the"lightness"that makes the spirit suspended above the physical body,but also the necessary"weight"to support the physical body,at last,he achieved the leap from"cultivate the mind by playing chess"to"keep wellness by playing chess";through the introduction of"performativity",Wang dissolved the opposition be-tween chess and living,and showed the"reduction"writing strategy which means returning to the origin and transcending it.

The King of Chessidentity performativity"root-searching literature""reduction"body and soul

吕航

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华东师范大学 国际汉语文化学院,上海 普陀 200062

《棋王》 身份操演 "寻根" "还原" 身体与灵魂

2024

四川职业技术学院学报
四川职业技术学院

四川职业技术学院学报

影响因子:0.308
ISSN:1672-2094
年,卷(期):2024.34(2)
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