首页|当摄影遇见文字:《盲刺客》中的"摄影书写"

当摄影遇见文字:《盲刺客》中的"摄影书写"

扫码查看
后现代语境下,摄影被赋予了复杂的指意系统,给阐释留下多元空间.在《盲刺客》中,阿特伍德将摄影巧妙融入叙事,使之成为串联核心主题的重要隐喻.摄影以转喻形式构成一种记忆诗学,是主人公回顾与反思家族历史的记忆媒介;照片着色与"左手"写作都代表一种超现实主义视角,在探索女性精神依存及主体生成的同时,书写了象征自由与创造的"另一个宇宙空间";摄影的幽灵性则凸显主人公的写作回忆录是一个与死者协商的过程.阿特伍德通过"摄影书写"唤起读者对被遗忘或压抑记忆的关注,引导读者以多元视角重构历史认知,并认识到摄影艺术所蕴含的解放潜能,同时揭示历史与未来的辩证关系,启迪人们只有在对过去的理解和反思中才能寻找到未来的希望.
When Photography Meets Words:"Photographic Ekphrasis"in The Blind Assassin
In the postmodern context,photography has been endowed with a complex system of signification,leaving ample space for diverse interpretations.In The Blind Assassin,Atwood skillfully integrates photography into the narrative,making it an important metaphor that connects the core themes.Photography,in the form of metonymy,constitutes a poetics of memory,serving as the medium through which the protagonist reflects on and revisits her family history.The alternative coloring of the photographs and the"left-handed"writing both represent a surrealist perspective,which,while exploring the spiritual dependence and subjectivity of women,also compose"another dimension of space"of freedom and creativity.The spectral or liminal nature of photography,moreover,underscores the fact that Alice's memoir writing is a process of negotiating with the dead.Through"photographic ekphrasis",Atwood calls readers'attention to the forgotten or repressed memories,guiding them to reconstruct historical consciousness from multiple perspectives.She also reveals the liberating potential inherent in the art of photography,while exposing the dialectical relationship between history and the future,and inspiring people to find hope for the future by understanding and reflecting on the past.

The Blind Assassinphotographic ekphrasismemoryidentityhistory

吕晓潇

展开 >

山东科技大学外国语学院,山东青岛 266590

《盲刺客》 摄影书写 记忆 身份 历史

2024

山东科技大学学报(社会科学版)
山东科技大学

山东科技大学学报(社会科学版)

CHSSCD
影响因子:0.336
ISSN:1008-7699
年,卷(期):2024.26(5)