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论克拉考尔的电影材料美学思想

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电影材料美学是克拉考尔在《电影的本性——物质现实的复原》中所提出的美学构想.与侧重形式的一般电影美学不同,克拉考尔的电影材料美学主要诉诸内容,认为电影审美的主要对象是电影所引得的物质材料.电影材料美学是克拉考尔艺术社会学思想的集中体现,来源于他长期以来对融合社会学和美学的思考,其根本诉求是通过电影对物质现实进行救赎和对现代症候进行疗愈,其主要观点是:电影具有复原并展示被摄材料的基本特性,当电影在纪录与揭示物质现实的"特性界限"内进行创作时,就能充当经验现实的审美媒介,激发观众的现实感知,深化观众的现实认知.通过电影材料美学,克拉考尔一方面重审了日常生活的审美价值,另一方面指明了电影作为一种现代艺术所具有的社会意义.
On Kracauer's Thought of Film Material Aesthetics
Film material aesthetics is an aesthetic conception proposed by Kracauer in Theory of Film:The Redemption of Physical Reality.Unlike the general aesthetics of film that focuses on form,Kracauer's material aesthetics of film mainly appeal to content,arguing that the main object of film aesthetics is the material indexed by the film.The material aesthetics of film is a concentrated manifestation of Kracauer's thought on the art of sociology,originating from his longstanding reflection on the integration of sociology and aesthetics,and its appeal is to redeem the material reality and modern symptoms through film,with the main points being:the film has the basic characteristic of restoring and displaying the materials being shot,and when it is created within the"specific properties"of recording and revealing the material reality,it can serve as an aesthetic medium to experience reality,stimulate the audience's perception of reality,and deepen the audience's cognition of reality.Through the material aesthetics of film,Kracauer,on the one hand,reexamines the aesthetic value of everyday life,and on the other hand,points out the social significance of film as a modern art.

Siegfried Kracauermaterial aesthetics of filmsociologyTheory of Film

何源堃、孟君

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中南财经政法大学 中韩新媒体学院,湖北 武汉,430073

武汉大学 艺术学院,湖北 武汉,430072

克拉考尔 电影材料美学 社会学 《电影的本性》

中国博士后科学基金中央高校基本科研业务费专项

2023M5339302722023BQ059

2024

山东师范大学学报(社会科学版)
山东师范大学

山东师范大学学报(社会科学版)

CSSCICHSSCD北大核心
影响因子:0.59
ISSN:1001-5973
年,卷(期):2024.69(2)
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