摘要
苏区戏剧实际上是作为政治动员的传播介质出现的.为了极大地激发戏剧的政治动员功效,苏区戏剧的组织者实施了三项针对性举措.第一,体制化布局.中央苏区展开了多类别、立体性的戏剧机构体制化建设,其整体布局呈现纵向贯通、横向呼应形态.第二,适配性变革.以新型意识形态熔铸新词直接入戏、推动传统剧社改弦更张、大力推出话剧与活报剧等戏剧类型.第三,在地化调适.征用当地材料编排故事、聚焦所在区域重大事件、吸纳近邻人员介入编演流程.苏区戏剧虽然没有彰显出足够的艺术专业性与仪式感,但是在观念劝服、行为引导、精神激励等方面产生了显著的成效.
Abstract
Soviet drama actually emerged as a medium for political mobilization.In order to greatly stimulate the political mobilization effect of drama,the organizers of Soviet drama implemented three targeted measures.Firstly,they established institutionalized layouts.The Central Soviet had launched a multi-category and three-dimensional institutionalized construction of theatrical institutions,characterized by a layout that vertically connects and horizontally resonates.Secondly,they introduced adaptive changes,which involved casting new words with a new ideology directly into the drama,promoting the transformation of traditional drama societies,and vigorously promoting theatrical genres such as modern dramas and living newspapers.Thirdly,they localized adaptations.This entailed using local materials to create stories,focusing on major local events,and involving nearby personnel in the production process.Although the dramas in the Soviet area failed to demonstrate sufficient artistic professionalism and ceremonial sense,they had produced significant results in inducing ideas,guiding behavior,and inspiring spirit.
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