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谢灵运山水诗之三重面向

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东晋时期出现了"理感"一词,作为玄学思潮与诗作交会的理论依据,谢灵运山水诗中赏心之"美感"与滤化之"情感"皆以其体道之"理感"联结敷演,这类作品在山水情境中反复连缀理、美、情之间的关系,展陈诗人在玄理的基准下,如何转化为赏美姿态与缘情心理的过程.一方面呈现出谢灵运山水诗的不同特质,另一方面则体现出中国诗歌从玄言过渡到山水的转折,而谢灵运将"理感"推向"美感"的创新,更为六朝美学的发展提供了最具体的见证.
The Triple Aspect of Xie Lingyun's Landscape Poetry
During the Eastern Jin Dynasty,the term"rational sense"emerged as the theoretical basis for the intersection of metaphysical ideas and poetry.The"aesthetic sense"of appreciating the heart and the"emotion"of filtering in Xie Lingyun's landscape poetry are all perfunctorily connected by their"rational sense"of the body.This type of work repeatedly connects the relationship between reason,beauty,and emotion in the landscape context,showcasing how the poet,under the benchmark of metaphysics,transformed into a process of appreciating beauty posture and emotional psychology.On one hand,it presents the different characteristics of Xie Lingyun's landscape poetry,and on the other hand,it reflects the transition of Chinese poetry from mystical language to landscape.Xie Lingyun's innovation of"rational sense"to"aesthetic sense"provides the most concrete witness to the development of aesthetics in the Six Dynasties.

Xie Lingyunlandscape poetryrational senseaesthetic senseemotion

孙惠楠

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韶关学院 文学与传媒学院,广东 韶关 512005

谢灵运 山水诗 理感 美感 情感

2024

韶关学院学报
韶关学院

韶关学院学报

影响因子:0.28
ISSN:1007-5348
年,卷(期):2024.45(10)