摘要
山西沁县南涅水出土的第568号背屏坐佛造像是一件具有明显北魏平城时代风格的作品.通过对作品中右袒覆肩式佛衣、大衣纹饰、口衔花瓣的双狮、供养人以及博山炉等造型元素的深入研究,断定其年代大致在北魏延兴二年(471年)至太和八年(484年).南涅水石刻第568号背屏坐佛造像为研究云冈模式南传提供了重要实物例证.它和周边地区早期的造像碑、石窟造像共同印证了涅河两岸的寺院在佛教传播中的重要地位,证明了在北魏迁都洛阳之前,平城的佛教艺术已深入到了晋东南腹地.
Abstract
The No.568 seated Buddha statue unearthed in Nannieshui,Qinxian County,Shanxi Province,is a work with an obvious style of the Pingcheng era of the Northern Wei Dynasty.Through an in-depth study of the modelling elements such as the shoulder-covered Buddha robe on the right side of the statue,the coat ornamentation,the double lion with petals on the mouth,the donor,and the Boshan furnace,it is concluded that the date is roughly from the second year of Yanxing(471)to the eighth year of Taihe(484)of the Northern Wei Dynasty,which provides an essential physical example for the study of the southern transmission of the Yungang model.At the same time,it and the early statue tablets and grotto statues in the surrounding areas together confirm the critical position of the monasteries on both sides of the Nie River in the spread of Buddhism,and also prove that before the Northern Wei Dynasty moved the capital to Luoyang,the Buddhist art of Pingcheng penetrated into the hinterland of the southeast of Jin.
维普
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