Analysis of the Composition of Meticulous Flower and Bird Paintings Based on Visual Perception Theory
In painting,composition is a crucial artistic skill that can greatly enhance the vitality of a picture.It is one of the decisive factors determining the success or failure of an artwork.Traditional Chinese paintings,such as YU Feiyan's"White Peony",are known for their exquisite compositions.However,the accurate evaluation of composition in paintings traditionally relies on critics'intuitive perception.Applying Rudolf Arnheim's theory of visual perception to analyze traditional Chinese paintings offers a valuable analytical approach.By using Rudolf Arnheim's theory,we can analyze the balance of forces in the composition of YU Feiyan's"White Peony"and provide new aesthetic paths for the composition of flower and bird paintings in a modern design context.Building on this,we can explore how traditional paintings can be innovatively designed,using the series of cultural and creative products"Echoes of Geese Passing"from the Jiangsu Art Museum as a case study.Thus,incorporating the principles of visual perception into compositional techniques provides new perspectives and strategies for the appreciation and promotion of traditional Chinese painting.
meticulous flower and bird paintingspainting compositionvisual perceptionbalance of force
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