摘要
虎丘与石湖是明代苏州备受瞩目的两处景观.二者在姑苏名胜版图中的地位变化,与明中后期的社会变迁关系密切,更涉及文化风尚上的雅俗之辨.受此影响,以二者为主题的书画作品在创作技法、创作机制等方面都表现出一定差异.以文徵明为领袖的吴中文人在石湖的流连与集会,将石湖打造成为承载共同文化志趣的精神象征,并在对彼此作品与人格的惺惺相惜中,完成了对自我价值的认同,从而形成了更多元性的社会价值取向.他们的诸多传世之作,不但记录了石湖的历史,更将自己的审美品位转化为可视的文化遗产,使"石湖情结"得到长远的历史传承,巩固了文人在明中后期以来社会文化竞争中的优势地位.
Abstract
The present paper,discussing intensively how the literati group led by Wen Zhenming created a more plu-ralistic value orientation by turning Stone Lake into a spiritual symbol of common cultural aspiration,points out that the changes of status of Suzhou's famous landscapes were closely related to social changes taking place in the mid-and late Ming.
NETL
NSTL
万方数据