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世界文学与中国视域:基于"费加罗三部曲"在华百年传播事件的考察

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"费加罗"作为法兰西经典文学人物形象,在世界文学舞台上拥有不可磨灭的地位.以"费加罗"为中心人物的"费加罗三部曲"系列剧作在中国逾百年的跨世纪传播,是作为读者主体的译者、评论者、表导演者、教育系统的受众建构性地参与三部曲文本意义动态生成的过程,体现为"费加罗"在中国视域下的形象生成与流变.这一传播是法兰西翻译文学作品进入中国的外国文学经典谱系、成为世界文学的重要事件.这一事件较为全面地呈现出民族文学生成为世界文学的面向,为中国文学"走出去"、成为世界文学的有机构成提供了非常重要的参考价值和借鉴意义.
World Literature and Chinese Perspective:An Examination Based on the Centennial Diffusion of the"Figaro Trilogy"in China
"Figaro",as a classic figure in French literature,has an exceptional place on the world literary stage.The inter-century diffusion of the"Figaro Trilogy"in China,with Figaro as the central character,is a process in which translators,critics,directors,and audiences of the educational system have participated in the dynamic generation of the meaning of the dramatic texts of the trilogy.It is the process of the creation and transformation of the image of Figaro in the Chinese context.This diffusion is an important event in the entry of French translations into the canon of foreign literature in China and into the world literature.This event presents a more comprehensive picture of the way in which national literature has become world literature,and provides a very important methodological reference for the entry of Chinese literature into the realm of world literature.

world literatureChinese perspectives"Figaro Trilogy"diffusionevent

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厦门大学外文学院(厦门361005)

世界文学 中国视域 "费加罗三部曲" 传播 事件

国家社科基金项目

19BWW060

2024

上海交通大学学报(哲学社会科学版)
上海交通大学

上海交通大学学报(哲学社会科学版)

CSSCICHSSCD北大核心
影响因子:0.94
ISSN:1008-7095
年,卷(期):2024.32(8)