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全真道与元明清社会的文化消费

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伴随着全真道的传承发展,全真话题广泛见诸于元明清时期的史志、戏剧、仙传、小说等作品,成为教俗两界文化消费的重要资本.在上述多种文化载体中,全真道的形象开始发生嬗变:全真道士的身份发生了由凡而仙的变化,在"正本清源"的旗号下演义、歪曲全真教史的情况不绝于书.这既是元明清文化消费接纳全真道的过程,亦是全真道深度融入中国文化传统的过程.民间化是全真道与三朝文化消费互动的一大走势.
Quanzhen Daoism and the Cultural Consumption in Yuan,Ming,and Qing Dynasties
Along with the development of Quanzhen Daoism,the topics on Quanzhen were widely seen in the history,dramas,and novels during the Yuan,Ming,and Qing dynasties,and became an important capital for cultural consumption in both the religious and secular worlds.In the above genres,the image of Quanzhen Daoism began to transmute:the identity of the Quanzhen Taoists changed from mortal to immortal,the history of Quanzhen Daoism was dramatized and distorted under the banner of"correcting and clarifying its origins".This is not only the process of acceptance of Quanzhen Daoism in Yuan,Ming and Qing cultural consumption,but also the process of its deep integration into Chinese cultural tradition.Popularization was a major trend in the interaction between Quanzhen Daoism and the cultural consumption of the three dynasties.

Quanzhen Daoismthe cultural consumptionthe image of Quanzhen Daoism

宋学立

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中国社会科学院古代史研究所,北京 100101

全真道 文化消费 全真形象

国家社会科学基金青年项目国家规划文化重大工程专项(十三五)

14CZJ023中央统战部"统办函"[2018]576号

2024

社会科学论坛
河北省社会科学界联合会

社会科学论坛

CHSSCD
影响因子:0.166
ISSN:1008-2026
年,卷(期):2024.(2)
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