The Structure Presentation of Scenery and Time and Space:The Generation of"Sentiment"in Ouyang Xiu's Seven Ancient Narrative Poems
Regarding some of Ouyang Xiu's seven ancient narrative poems,Fang Dongshu's Zhao Mei Zhan Yan commented that it has"sentiment",which did not appear in the previous history of the reception of Ouyang Xiu's poetry.By analyzing the examples given by Fang,the generation path of"sentiment"in Ouyang Xiu's poetry can be divided into three categories:The first is to rely on emotional scenery description to shape the narrative illusion,and use a two-way confrontation structure to indicate the emotional focus.Through the comparison and reading of relevant texts,readers can gain the lingering aftertaste of breaking the narrative illusion;The second is to take the symbolic scenery as the support,draw on the resources of Tang Dynasty's poetics and the poet's practical experience,blend multi-level narrative time and space in the narrative structure,and form the collision of Tang rhyme and Song rhyme in style;The third is to use scenery as the narrative clue to form a narrative space and time that is linked back and forth and repeatedly leaping,with a nested narrative structure.Through Ouyang Xiu's poetry,the"sentiment"category of Song poetry adds the meaning of"narrow deep"to the meaning of Tang poetry.The twists and turns of the sentiment of Ouyang Xiu's poetry depend on the meaningful structure,while the interpretation of meaning,that is,the exploration of the poet's"spiritual field",depends on the poet's self-consistent text field,which is the unique condition for the generation of the"sentiment"of Song poetry.
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