The advent of video technology has catalyzed a profound transformation,impacting not only the dissemination of information but also aesthetic engagement and cultural consumption patterns.This shift has notably influenced the collective worldview,increasingly aligning it with a screen-centric paradigm.The pervasive presence of screens not only shapes daily life narratives but also serves as the primary interface for individuals'interactions with the world,thereby establishing new cognitive frameworks,transitioning from hyperlandscape to panlandscape.This phenomenon has led to the gradual"screenification"of re-ality,facilitated by the widespread integration of screens into everyday activities.Consequently,the predominant aesthetic medi-um has rapidly transitioned from text-based to screen-based,with a noticeable shift in preferences from textual to video consump-tion.This transition is evident not only in the widespread amateurization and popularization of visual production but also in the in-creasing dominance of screen-centered aesthetic preferences.Behind the screens lies a life enriched by imagery,where images serve as not only the primary medium for information dissemination but also as essential tools for self-expression,relationship-building,and cognitive processing of the world.Thus,the convergence of the cinematic amateurization and the screen prolifera-tion has given rise to the phenomenon of"omnipresent video"in the realm of screen-oriented aesthetics,leading to the videoiza-tion of narratives,adoption of lightweight production methods,hypermediation of interfaces,and the emergence of daily-record aesthetics as prevailing trends.
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