上海师范大学学报(哲学社会科学版)2024,Vol.53Issue(2) :86-92.DOI:10.13852/J.CNKI.JSHNU.2024.02.008

由电影到短视频:数字时代知觉后勤的重建

From Movies to Short Videos:Reconstruction of Perceptual Logistics in the Digital Age

张书端
上海师范大学学报(哲学社会科学版)2024,Vol.53Issue(2) :86-92.DOI:10.13852/J.CNKI.JSHNU.2024.02.008

由电影到短视频:数字时代知觉后勤的重建

From Movies to Short Videos:Reconstruction of Perceptual Logistics in the Digital Age

张书端1
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作者信息

  • 1. 扬州大学新闻与传媒学院(江苏扬州225009)
  • 折叠

摘要

法国哲学家保罗·维利里奥认为,进入现代社会以来,交通和通信速度的每一次跃迁都大幅压缩着人类时空,重构着人类感知模式,在此过程中,滋生于现代科技语境的电影、电视适时出现并成为调节人类时空经验的知觉后勤.在数字时代的光速传播背景下,时空压缩更进一步迈向时空折叠的境地,而短视频则成长为数字媒介时代的新型知觉后勤,它将原本不可见的转换为可见,并以具身传播方式为观众带来临在化的知觉体验.当然,在大数据和算法的作用下,短视频可能沦为一种"统计型影像",但算法的多样性和用户群体的主观能动性也为营造多元、生动的短视频文化景观提供了足够空间.

Abstract

French philosopher Paul Villilio argues that since entering the modern era,every leap in the speed of transporta-tion and communication has dramatically compressed human space-time,and reconstructed human modes of perception.In this process,movies and TV,which are born in the context of modern science and technology,emerge in a timely manner and become the perceptual logistics of regulating human space-time experience.In the context of light speed transmission in the digital age,space-time compression is further moving towards the situation of space-time folding,while short videos have grown into a new type of perceptual logistics in the digital media era,which transform the originally invisible into visible,and bring the audience an existential perceptual experience through embodied communication.Under the influence of big data and algorithms,short vid-eos may be reduced to a"statistical image",but the diversity of algorithms and the subjective initiative of user groups also provide enough space for creating a diverse and vivid cultural landscape of short videos.

关键词

数字媒介/短视频/知觉后勤/保罗·维利里奥

Key words

digital media/short video/perceptual logistics/Paul Villilio

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基金项目

国家社会科学基金后期资助项目(22FYSB038)

出版年

2024
上海师范大学学报(哲学社会科学版)
中国上海师范大学

上海师范大学学报(哲学社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:0.697
ISSN:1004-8634
参考文献量23
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