"一眼看得见"的语言——论梅子涵晚近散文集《黄麦地》
"Visible" Language:On Mei Zihan's Recent Prose Collection Yellow Wheat Field
詹丹1
作者信息
- 1. 上海师范大学光启语文研究院(上海200234)
- 折叠
摘要
梅子涵从事文学创作近50年,在散文语体和题材方面形成了鲜明的特色,一种基于平等理念的创作,交织起儿童和成人不同的思维方式,以自觉的"看得见"形象捕捉,彰显了主体特色,扩大了创作视野,给他的散文创作注入了源源不断的活力.梅子涵的主体位置,在散文的每一篇都清晰可见,可以认为他是一个非常"自恋"的人.这种"自恋"既是对人的特征,也是对他散文基调的概括,是儿童化思维方式的体现.
Abstract
Mei Zihan has been engaged in literary creation for nearly 50 years,and has developed distinctive features in prose genres and themes.A kind of creation based on the concept of equality interweaves different ways of thinking for children and adults,captures the subjective features with a conscious"visible"image,broadens the creative vision and injects continuous vitality into his prose creation.Mei Zihan's subject position is clearly visible in every piece of prose,and he can be regarded as a very"narcissistic"person.This"narcissism"is not only the characteristics of human beings,but also the summary of the tone of his prose and the embodiment of children's thinking mode.
关键词
黄麦地/梅子涵/主体性Key words
Yellow Wheat Field/Mei Zihan/subjectivity引用本文复制引用
出版年
2024
NETL
NSTL
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