首页|比较电影学的建构意义、研究原则及路径

比较电影学的建构意义、研究原则及路径

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为研究并推动中国电影的发展,应合日益频繁的中外电影交流,以及文化强国战略对中国电影走出去的要求,比较电影学的学科建构势在必行.作为一门新兴学科,比较电影学应向已发展成熟的比较文学学科汲取成功经验,但同时也要尊重电影研究的本体特色.基于宏观系统、目标与原则,文章从比较电影学的学科定义、建构意义、研究原则与研究路径等方面着手,详细论证比较电影学作为一门独立学科建设的可行性.
The Significance,Research Principles and Approaches of Constructing Comparative Filmology
In order to cope with the increasingly frequent exchanges between Chinese and foreign films,as well as the devel-opmental requirements of the cultural power strategy for Chinese films to go global,the construction of comparative filmology as a discipline is imperative.As an emerging discipline,comparative filmology should draw on the successful experiences of the more developed discipline of comparative literature,but it should also respect the unique characteristics of film studies.Based on macro systems,goals,and principles,this paper starts with the disciplinary definition of comparative filmology,the significance of its construction,research principles,and research approaches,and elaborately demonstrates the feasibility of constructing comparative filmology as an independent discipline.

comparative filmologyfilmicityinter-subjectivitymacro systemdigital verification

丁亚平、闫明

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上海戏剧学院电影学院(上海 201112)

河北科技大学影视学院(河北 石家庄 050018)

中国高校影视学会

中国艺术研究院研究生院(北京 100012)

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比较电影学 电影性 主体间性 宏观系统 数字实证

2024

上海师范大学学报(哲学社会科学版)
中国上海师范大学

上海师范大学学报(哲学社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:0.697
ISSN:1004-8634
年,卷(期):2024.53(4)
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