The"authorship"of film from the perspective of film industry aesthetics is actually a multi-semantic and progres-sive proposition.It is not that film industry aesthetics rejects film"authorship",but rather that film"authorship"needs to be in-fused with new connotations and crafted with new qualities under the illumination of film industry aesthetics.Adhering to the tra-ditional sense of"authorship"can no longer meet the requirements of the development of China's film industry in the new era.However,this does not mean that film"authorship"has lost its meaning and value.It simply needs to break free from some con-ceptual constraints and infuse new qualities,including"sincerity","transcendence","adaptability",and"convergence".In-dustrial aesthetics not only brings about changes in the mode of production and organization of films,but also leads to the evolu-tion and transformation of film ontology and film concepts.The emergence of new elements and new characteristics will provide a broad world and more possibilities for the generation,iteration and presentation of"authorship".
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