书法研究2024,Issue(1) :175-188.

顔真卿書風在元代的接受——以鑒藏活勤為考察視角

The Reception of Yan Zhenqing's Calligraphic Style in the Yuan Dynasty from the Perspective of Appreciation and Collecting Activities

康佳琦
书法研究2024,Issue(1) :175-188.

顔真卿書風在元代的接受——以鑒藏活勤為考察視角

The Reception of Yan Zhenqing's Calligraphic Style in the Yuan Dynasty from the Perspective of Appreciation and Collecting Activities

康佳琦1
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作者信息

  • 1. 太原師範學院書法系;日本關西大學
  • 折叠

摘要

顔真卿書風的流行肇始于北宋,并對之後書法史的進程產生了重要影響.時至元代,顏真卿書法經過宋人的大力推崇後,依舊保持着充足的活力.故論文以書法鑒藏活動作爲考察視角,探究顏真卿書風在元代書壇的接受情况.一方面從王惲所著《書畫目録》中梳理顧真卿書法作品的收藏情况,探明元代官方鑒藏活動對其書風的態度;另一方面以顏真卿的《劉中使帖》《祭侄季明文稿》《乞米帖》三幅作品爲重點,并結合江南雅集活動考察其書法在民間的流傳情况,探究元代民間鑒藏活動對其書法作品的接受情况.

Abstract

The popularization of Yan Zhenqing's(709-785)calligraphic style started in the Northern Song dynasty(960-1127)and greatly influenced the subsequent development of Chinese calligraphy.In the Yuan dynasty(1271-1368),owing to the great fame that it had gained during the Song Dynasty,the calligraphic style of Yan Zhenqing remained very current.This paper explores the reception of Yan Zhenqing's calligraphic style in the Yuan dynasty,from the perspective of appreciation and collecting activities.It surveys his calligraphic works through Wang Yun's(1227-1304)Catalog of Calligraphy and Painting,to ascertain what the attitude was to his style of calligraphy,as expressed by the official appreciation and collecting activities of the Yuan dynasty.Furthermore,by focusing on Yan Zhenqing's three calligraphic works,Liu Zhongshi Letter,Draft of the Elegy for the Nephew Jiming and Qimi Letter,and by analyzing gatherings of the literati in the Lower Yangtze,it also examines the dissemination of his calligraphy in popular contexts during the Yuan dynasty and the influence of popular collecting activities on its reception.

关键词

書法鑒藏/顏真卿/接受

Key words

appreciation and collecting of calligraphic works/Yan Zhenqing/reception

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基金项目

2022年度日本學術振興會(JSPS)科學研究費(22J10396)

出版年

2024
书法研究
上海书画出版社

书法研究

CSSCI北大核心
ISSN:
参考文献量34
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