略論晚清碑學對中日書法發展的不同影響
The Different Influence of the Stele School of the Late Qing on the Development of Chinese and Japanese Calligraphy Trends
王希羽1
作者信息
摘要
晚清碑學書風發展至民國初,風格漸趨多元化.在大量新發現古代書迹材料的影響下,中國書法發展承碑學餘緒而有新變,主要體現爲篆隸書風與碑帖相容的書法新貌.而同樣受清代碑派書風影響的日本近代書法,因其在書法基礎、社會環境、思想觀念上的差異,主要藉鑒金石碑版全新的書法表現形式,并大量吸收西方抽象主義創作觀念,出現如"少字數""前衛派"等區别于傳統書法模式的創作,經由古典至現代書法的轉型後,與中國書法發展分軌而行.
Abstract
In the period from the late Qing dynasty to the Republic of China,the calligraphic style of the Stele school gradually diversified.Under the influence of a large number of newly discovered ancient calligraphy materials,the development of calligraphy in China underwent changes,while still following the path of the Stele school;this was chiefly reflected in a new calligraphic aesthetic,which saw calligraphic creation in the zhuan and clerical scripts merge with the habit of collecting ink rubbings.Modern Japanese calligraphy,however,although also influenced by the style of the Qing dynasty Stele school,borrowed new calligraphic forms chiefly from bronze and stone inscriptions,due to differences in basic calligraphic knowledge,the social environment and ways of thinking.Japanese calligraphers also absorbed ideas pertaining to artistic creation extensively from Western abstract art,resulting in developments in calligraphic creation,such as those found in the so-called"Few characters"and"Avant-garde"schools,which were different to traditional modes of calligraphic creation.Consequently,after the transformation from classical to modem calligraphy,the development of Japanese calligraphy separated from that of Chinese calligraphy
关键词
碑學/中日書法/近現代/藝術影響Key words
Stele school/Chinese and Japanese calligraphy trends/modern and contemporary times/artistic influence引用本文复制引用
出版年
2024
NETL
NSTL
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