摘要
"道场"是敦煌佛教文献中最常见的表现场域概念的关键词,其含义极其丰富,涉及物理空间、心理信仰空间、文化制度空间三大层面.而道场的中外互动、内外互动、内部联动、虚实互动和多重联动,是敦煌各种佛教文艺作品生成的主要途径;正是中外场域、内外场域的持续互动,才促成了敦煌佛教文艺作品的中国化特色.
Abstract
"Dojo"is the most common keyword in Dunhuang Buddhist literature to express the concept of field,and its meaning is extremely rich,involving three levels:physical space,psychological belief space,and cultural system space.The interaction between China and foreign countries,internal and external interactions,internal linkages,virtual and real interactions,and multiple linkages in the dojo are the main ways for the generation of various Buddhist literary and artistic works in Dunhuang.It is the continuous interaction between the Chinese and foreign fields and the internal and external fields that has contributed to the sinicization of Dunhuang Buddhist literary and artistic works.
维普
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