汉代书法理论述论
On Theory of Calligraphy of the Han Dynasty
葛稳罡1
作者信息
- 1. 曲阜师范大学 孔子文化研究院,山东曲阜 273165;江苏护理职业学院 哲学社会科学联合会,江苏淮安 223003
- 折叠
摘要
书法是关于汉字的艺术,但文字的产生并不等于书法的诞生,书法作为一门独立的艺术门类应该以书法理论的出现为标志.从目前能掌握的文献来看,中国书法理论诞生于西汉末,并不断发展、繁荣,陆续出现了扬雄、崔瑗、赵壹、蔡邕等一批书法理论家,形成了蔚为壮观的汉代书法理论系列,创下了许多书法史上的第一.汉代书法理论开创了中国书学和书论的框架模式,奠定了多种书体的认知,有效发展了新书体,特别是提升了草书的书法地位,使其成为最具表现力的书体.汉代书法理论产生的许多新观点,持续影响后世,对后来两千余年书法创作实践和书法理论批评都具有很重要的指导意义.
Abstract
Calligraphy is about the art of Chinese characters,but the emergence of characters is not equal to the birth of calligraphy,as an independent art category,calligraphy should be marked by the emergence of calligraphy theory.According to the available literature,Chinese calligraphy theory was born at the end of the Western Han dynasty,and has been developing and prospering.There are a number of calligraphers,such as Yang Xiong,Cui Yuan,Zhao Yi,Cai Yong,etc.,formed a spectacular Han dynasty calligraphy theory series.The theory of Han dynasty calligraphy created the frame model of Chinese calligraphy and calligraphy theory,established a variety of calligraphy styles,effectively developed new calligraphy styles,especially enhanced the status of cursive calligraphy,making it the most expressive calligraphy style.Many new viewpoints of the theory of calligraphy in the Han dynasty have a lasting influence on the later generations,and are of guiding significance to the practice and criticism of the theory of calligraphy in the later two thousand years.
关键词
汉代书法/书法理论/中国书法Key words
calligraphy of the Han Dynasty/calligraphy theory/Chinese calligraphy引用本文复制引用
出版年
2024
NETL
NSTL
维普
万方数据