马华文学"小镇经验"的后现代叛逆与生成——以黄锦树、黎紫书的互文创作为例
Post-modern Rebellion and Emergence in Malaysian Chinese Literature's"Small Town Experience"——a case study of the inter-textual works of Huang Jingshu and Li Zishu
闫蔚雯1
作者信息
- 1. 广西大学 文学与文化研究中心,广西 南宁 530004;广西大学 文学院,广西 南宁 530004
- 折叠
摘要
小镇作为生产和生活的场域,随着时代嬗变而在马华文学作家笔下呈现出极具隐喻意义的本土特征,蕴含着作家关于身份位移与变异的思考.与原乡情结、救赎焦虑等情绪相交织,马华文学后现代的"小镇经验"具有相当的混杂性,自黄锦树的短篇小说《落雨的小镇》始,小镇空间的视觉性与自我的主体性紧密勾连在一起.《落雨的小镇》本身即与多个前文本形成互文关系,而黎紫书《无雨的乡镇·独脚戏》对于《落雨的小镇》的"后设之后设",又富有致敬与反思的姿态.二者之间的互文关系彰显了"小镇经验"在马华文学脉络中叛逆与生成的后现代逻辑,创造了属于马华后现代小说自身的独特性经验,为"后理论"时代的世界文学提供了具有代表性的个案.
Abstract
In Malaysian Chinese literature,the small town serves as a field of production and life,reflecting a distinct local perspective on identity displacement and transformation as times change.Interwoven with sentiments such as nostalgia and redemption anxiety,the post-modern"small town experience"in Malaysian Chinese literature exhibits considerable complexity.Starting with Huang Jingshu's short story The Rainy Town,the visuality of the small town space is intricately connected with the sel'fs subjectivity.The Rainy Town itself engages with multiple pretexts,while Li Zishu's The Rainless Township:A Monologue provides a"meta-meta"response to The Rainy Town,marked by both homage and reflection.The inter-textual relationship between these works highlights the post-modern logic of re-bellion and emergence within the context of Malaysian Chinese literature,creating a unique experience specific to Mal-aysian post-modern novels and offering a representative case for world literature in the"post-theory"era.
关键词
马华文学/"小镇经验"/黄锦树/黎紫书/后设小说Key words
Malaysian Chinese literature/＂Small Town Experience＂/Huang Jinshu/Li Zishu/metafiction引用本文复制引用
出版年
2024
NETL
NSTL
万方数据