从信息施-受关系看地方戏曲传承研究盲点——以潮剧为例
Blind Spot of Local Opera Inheritance Research from the Perspective of Information Sender-Receiver Relationship——Teochew Opera as an Example
罗文敏 1周小荃1
作者信息
- 1. 汕头大学文学院,广东 汕头 515063
- 折叠
摘要
关于地方戏曲传承的研究,大部分研究资料主要集中在历史文献与典籍编校、出版方面,介绍该戏曲新近的发展动态与收获,以及一些新出台的保护措施.其主要涉及的内容都集中在"舞台上的演出者"层面,淡化乃至忽视了地方戏曲本身的"演-观"二元结构的另一方——"舞台下的观赏者".对于戏曲的传承,演戏者的"演"是传统戏曲信息传承中最主要的"施"者,而观戏者则是其对应的信息输送的"受"者,二者其实是缺一不可的.因此,地方戏曲传承还应培养和重建"观赏者"的可持续传承.
Abstract
Up to now,literatures collected on the study of the heritage of local operas are mainly focused on the compilation and publication of historical documents and canonical books,the introduction of the latest developments and achievements of the opera like Teochew Opera,as well as the introduction of new protection policies.These literatures focus on the side of"performers on the stage",downplaying or even ignoring the other side of the"performance-viewing"dichotomy of local theatre-"viewers off the stage".In the transmission of traditional opera information,the performer's"acting"is the main"sender",while the audience is the"receiver"of the corresponding information transmission,which is actually indispensable for these two sides.Therefore,the inheritance of local operas should also embody the inheritance of"spectators",including the conscious cultivation and growth of this group and make it become powerful and sustainable.
关键词
地方戏曲/传承/施者/受者/潮剧Key words
local operas/inheritance/sender/receiver/Teochew Opera引用本文复制引用
出版年
2024
NETL
NSTL
万方数据