This article takes Ouyang Yuqian's Pan-Jinlian as a case study,to discuss the narratives and aesthetics theories from the perspective of cross-cultural studies.Ouyang spared no efforts in re-imaging and re-creating a non-wanton Pan-Jinlian and expressed his eagerness for the liberation of the personalities and gender equality,which were the core values of the May Fourth Period.Ouyang used a fresh and bold narrative to glorify the beauty of Pan and help her escape from the humiliation of femme fatale.The research also analyzed the history of Ouyang's overseas studies in Tokyo and his learnings from Japanese theaters.
关键词
欧阳予倩/跨文化戏剧/戏剧美学/五四文化/现代中国与世界
Key words
Ouyang Yuqian/cross-cultural theater/aesthetics in dramas/may fourth period/modern china and the world
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