首页|中原风尚与地方引领——论唐前期敦煌大族家窟对石窟营建之影响

中原风尚与地方引领——论唐前期敦煌大族家窟对石窟营建之影响

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唐前期,以翟氏、阴氏、李氏为代表的敦煌大族在莫高窟相继营造了多个家窟,这些大族家窟中新出现的壁画题材,如维摩诘经变、佛顶尊胜陀罗尼经变等,均表现出浓厚的中原特征,与中原地区有着密切联系.大族家窟中出现的具有中原风尚的造像题材和思想,作为当时中原地区最新最流行的佛教内容,因大族在敦煌的社会地位和影响力,受到敦煌信众们的追求与热捧.与大族家窟相同样式或粉本的壁画题材在后世石窟中广泛出现,对此后敦煌石窟的营造产生深远影响.
Central Plains Fashion and Local Leadership——On the Influence of Dunhuang Family Grottoes on Grottoes Construction in the Early Tang Dynasty
In the early Tang Dynasty,the Dunhuang family represented by Zhai,Yin and Li created several family caves in Mogao Grottoes.The newly emerged mural themes such as illustration of Vimalakirti Nirdesa Sutra,illustration of Usnisa Vijaya Dharani Sutra,were strongly exhibited Central Plains characteristics and closely related to the Central Plains.The new statue themes and thoughts with Central Plains fashions appearing in the big family caves,as the latest and most popular Buddhist content in the Central Plains at that time,due to the social status and influence of the big families in Dunhuang,are pursued by believers.The mu-rals which have the same styles and drafts as those of the family caves were widely used in later grottoes,and had a profound impact on the construction of Dunhuang grottoes.

Dunhuang familyfamily cavesconstruction of Grottoes

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陕西师范大学历史文化学院,陕西西安 710119

敦煌大族 家窟 石窟营造

高等学校学科创新引智基地计划资助2022年度陕西师范大学"长安与丝路文化传播"专项科研项目

B1803YZJDA03

2024

山西大同大学学报(社会科学版)
山西大同大学

山西大同大学学报(社会科学版)

影响因子:0.166
ISSN:1674-0882
年,卷(期):2024.38(1)
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