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明中期教坊司地位转变及其对宫廷戏曲的影响

The Transformation of the Status of the Jiaofang Department in the Middle Ming Dynasty and Its Influence on Palace Opera

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教坊司作为明代宫廷戏剧的主要承应机构之一,直接管理宫廷戏曲演出,引领着宫廷戏曲文化并影响下层社会文化风向.但经过万历时期的变革,民间新兴的戏剧人员与演剧机构渗透进了宫廷戏曲舞台,这一变革使得教坊司的职能被分割,地位有所下降,新兴剧曲的大量演出使得宫廷戏剧更具有娱乐性,走向了俗化的道路,这一变化对万历时期及以后的宫廷戏曲文化产生了较为深远的影响.
As one of the main institutions responsible for the Ming Dynasty palace drama,Jiaofang Department directly man-aged the performance of palace opera,leading the culture of palace opera and influencing the cultural trends of lower society.Howev-er,after the transformation during the Wanli period,emerging folk theatrical personnel and institutions infiltrated the palace opera stage.This transformation resulted in the division of the functions of the Jiaofang Department and a decline in its status.The large number of performances of emerging theatrical works made palace opera more entertaining and embarked on a path of populariza-tion.This change had a profound impact on the culture of palace opera during the Wanli period and beyond.

Jiaofang Departmentpalace operatransformation of the status

李文慧、马志强

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山西大同大学文学院,山西大同 037009

教坊司 宫廷戏曲 地位转变

2024

山西大同大学学报(社会科学版)
山西大同大学

山西大同大学学报(社会科学版)

影响因子:0.166
ISSN:1674-0882
年,卷(期):2024.38(1)
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