The Artistic Characteristics and Symbolic Connotation of the Flying Apsaras Miaoyinniao Dougong in the Main Hall of Kaiyuan Temple in Quanzhou
The flying apsaras of Kaiyuan Temple in Quanzhou merge diverse religious cultures,maritime culture,Minnan cul-ture,and Central Plains culture.They are the best-preserved and largest wooden flying apsaras statues in China.Founded in the early Tang Dynasty,Kaiyuan Temple has undergone multiple reconstructions and repairs,maintaining the architectural features of the ear-ly Ming Dynasty's Hongwu period.The 24 wooden flying apsaras in the main hall have graceful postures and bright colors,exhibit-ing a strong Tang Dynasty style.These flying apsaras figures originate from the Buddhist Kinnara,symbolizing the spiritual essence of the Buddha's teachings and monks listening to Buddhist hymns.Their rich colors and decorative attire reflect aesthetic harmony and dynamism.The items held by the flying apsaras symbolize rituals and religious ceremonies,showcasing the fusion of diverse cultures and a high level of artistic unity.
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