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云冈石窟飞天艺术形象及内涵解读

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北魏民族融合下的云冈石窟飞天艺术形象是中西文化交流中多元文化的汇聚,在云冈石窟不同时期雕刻的飞天呈现出由早期印度佛教艺术到中国本土风格的演变.同时,云冈石窟飞天在造型、布局和装饰上展现出独特的空间形象,成为佛教石窟艺术的重要内容.从佛教艺术的视角看,作为护法神的"飞天"是最具有典型代表的佛教艺术形象之一,飘逸灵动的飞天形象体现了佛教的护法思想和艺术装饰作用,独特的佛教艺术内涵蕴含着佛教的象征意义,经艺术升华,在平静随和的情感体验中净化人心,给人以现实启迪.
Interpretation of the Image and Connotation of the Flying Apsaras in Yungang Grottoes
The flying apsaras image of Yungang Grottoes under the integration of the Northern Wei nationality is the conver-gence of diverse cultures in the cultural exchange between China and the West.The flying sky carved in different periods of Yungang Grottoes presents the evolution from the early Indian Buddhist art to the local Chinese native style.At the same time,the Yungang Grottoes show a unique spatial image in the shape,layout and decoration,which has become an important part of the Buddhist grotto art.From the perspective of buddhist art,as protecting god"flying"is one of the most typical representative buddhist art image,ele-gant and clever flying image embodies the Buddhism thought and art decoration,unique connotation of buddhist art,Buddhism art sublimation,in calm and easygoing emotional experience to purify the heart,give a person with realistic enlightenment.

Yungang Grottoesflying apsaras imageartistic connotation

吴晓丽

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山西大同大学云冈学学院,山西大同 037009

云冈石窟 飞天形象 艺术内涵

山西大同大学云冈学专项课题

2021YGZX04

2024

山西大同大学学报(社会科学版)
山西大同大学

山西大同大学学报(社会科学版)

影响因子:0.166
ISSN:1674-0882
年,卷(期):2024.38(5)