Trapping and Leaving in Camera Obscura Observation——Visual Cognitive Architecture and Marx's Identification of Contemporary Literature and Art
Through the reversal of camera obscura experience,Marx reveals the obscuration of the world's visibility by the closed and intuitive visual cognitive structure in speculative philosophy and national economics,forming the hidden logic of Marx's identification of contemporary literature and art through ob-server status.On the one hand,Marx examines the visual cognitive structural dilemma of romanticism through an invisible observation similar to the camera obscura experience of speculative philosophy.Although the irony in his text has a critical consistency with the irony of romanticism,in essence,however the latter underwent a materialistic transformation.On the other hand,Marx affirmed that realism is consistent with his-torical materialism by means of concrete observation and its deep pursuit.Both of them have left the visual cognitive configuration based on camera obscura experience and realized the feeling and grasp of the original relationship of capitalist society.Marx's identification of contemporary literature and art through observer sta-tus indicates that the realization of literary and artistic issues is the core of his aesthetic concept revolution,and the key to his literary and artistic views surpassing traditional Western literary and artistic views lies in the realization of cracking the fallacy of camera obscura observation through external changes in the world.
Marxvisual cognitive architecturecamera obscura observationcontemporary literature and art
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