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论《文心雕龙·乐府》的"典乐"精神

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纵观《文心雕龙·乐府》,刘勰始终强调乐府艺术的"典乐"文化之源,结合"典乐"文化及其核心精神阐释分析政治更迭、地域文化、审美尺度对乐府艺术的深刻影响."典乐"仪式本质上是诗乐艺术致用于政治的文化形态,政治集团通过对艺术表现形式及其思想内涵的节度,规范行为,感化人心.汉乐府专于模拟、因袭秦制,是对"典乐"文化尺度的主动放弃,这是造成"中和"之响后世难复的重要原因.乐府艺术既遗失了和正的宫廷大乐,也丧失了风雅歌诗,自此"和乐"淡出宫廷,这是"典乐"艺术的遗憾,更是深重的文化遗憾.因此,《乐府》本质上考察的不是关于乐府的一般性艺术问题,而是探讨乐府艺术如何被政治造就、为文化塑形,又是如何与时政沉浮变迁的发展进程.刘勰对乐府艺术的品评也是全面涉及乐制恢复、机构建立、文化继承、曲调、诗文等问题的综合考察.与其说《乐府》体现了刘勰复古的艺术观念,毋宁说刘勰更关切的是乐府艺术的文化复正问题.刘勰认为雅正、典范是乐府艺术的正途,继承"典乐"精神是后世雅正艺术的景行,这正是《乐府》全篇更多聚焦乐府祭祀乐歌的主要原因.
On the"Canonical Music"Spirit of"Yuefu"in"Wenxin Diaolong"
Throughout Wenxin Diaolong:Yuefu,Liu Xie consistently emphasizes the cultural origin of"Dianyue"( classical music ) in Yuefu art. He analyzes and interprets the profound impact of political changes,regional cultures,and aesthetic standards on Yuefu art and core spirit of"Dianyue"culture. The"Dianyue"ritual,in essence,is a cultural form where poetry and music are utilized for political purposes. Political groups regulate behavior and influence people's hearts through the moderation of artistic expressions and their ideological content. The Han dynasty's Yuefu,with its focus on imitation and adherence to Qin's system,represents an active abandonment of the"Dianyue"cultural standard,which is the critical reason why the sound of"Heyue"( harmonious music) became difficult to restore in later generations. Yuefu art not only lost the grand court music of balance and harmony but also the elegance of poetry and songs. From then on,"Heyue"gradually faded from the court,which is a regret for the art of"Dianyue"and a profound cultural regret. Therefore,Yuefu is essentially not an investigation of general artistic issues of Yuefu but rather an exploration of how Yuefu art was shaped by politics,molded by culture,and intertwined with the changing tides of political history. Liu Xie's evaluation of Yuefu art is also a comprehensive examination involving the restoration of music systems,the establishment of institutions,cultural inheritance,musical tunes,and poetry. Rather than reflecting Liu Xie's conservative artistic views,Yuefu shows that he was more concerned with the cultural rectification of Yuefu art. Liu Xie believed that elegance and standards are the right path for Yuefu art,and inheriting the spirit of"Dianyue"is the proper course for the elegant arts of later generations. This is precisely why Yuefu focuses more on the sacrificial music and songs of Yuefu.

The Literary Mind and the Carving of DragonsThe Musical PoetryThe Sound of NeutralityThe Spirit of Canonical MusicThe Harmony of Music

杨隽

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南京师范大学 文学院,江苏 南京210097

《文心雕龙·乐府》 "中和之响" "典乐" "和乐"

2024

陕西师范大学学报(哲学社会科学版)
陕西师范大学

陕西师范大学学报(哲学社会科学版)

CSTPCDCSSCICHSSCD北大核心
影响因子:0.486
ISSN:1672-4283
年,卷(期):2024.53(6)