论审美作为理学"格物"工夫的一种内在机制
On Aesthetic Mechanism of"Gewu"Gongfu in Neo-Confucianism
吴天寒1
作者信息
摘要
"格物"是程朱理学中强调主体通过与外物互动而实现修养德性的工夫.程朱理学提出了"玩物适情"与"观物察己"两种与物互动的方式,它们构成了"格物"工夫得以从"审美"通往"道德"的两层内在机制.在"玩物适情"中主体产生类似玩耍游戏时的心理状态,进而在悠游自在中涵养其性情.在"观物察己"中通过审美凝视而物我合一,使得主体在"活泼泼"的本真状态里体察自我本性,进而明"理".
Abstract
The"gewu"gongfu in the Cheng-Zhu school aims to emphasize that the subject realizes the cultivation of virtue through the interaction with the object.Neo-Confucianism puts forward two specific methods of interaction with the object,namely,"playing with things to make emotions appropriate"and"observing things to investigate oneself".They constitute the two-layer internal mechanism of gewu gongfu from aesthetics to morality.By creating a psychological condition similar to that of playing games,"playing with things to make emotions appropriate"allows the subject to cultivate his or her temperament in a carefree way."Observing things to investigate oneself"combines the object with the subject through the aesthetic gaze,which makes the subject comprehend his own nature in the authentic state,and then grasp the principle.
关键词
"格物"工夫/玩物适情/观物察己/审美机制Key words
"gewu"gongfu/playing with things to make emotions appropriate/observing things to investigate oneself/aesthetic mechanism引用本文复制引用
出版年
2024
NETL
NSTL
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