摘要
乾嘉时期安徽篆书达到空前的繁荣,以皖南地区为最,在书家、书作、书论方面均取得了令人瞩目的成就.究其原因,主要是存在一个以学者、书家等士人精英群体所主导的,推动篆书创作、品评、审美的学术氛围,进而形成了"治经以识字始,作篆本于六书"和"以秦汉为师,以质厚为本"的书学品评观.在这种评论的导向下不仅孕育出了统领一代风气的篆书大家邓石如,而且使人们对篆书关注、研究和实践热忱持久不衰,影响了一批书家,形成了地域性的群体效应.这也为当代的篆书创作实践提供一点借鉴和启迪.
Abstract
During the Qianlong and Jiaqing periods,Anhui seal script achieved unprecedented prosperity,especially in southern Anhui,and made remarkable achievements in the aspects of calligrapher,calligraphers' works and cal-ligrapher theory.The main reason is that there is an academic atmosphere dominated by scholars,calligraphers and other elite groups,which promotes the creation,evaluation and aesthetic appreciation of seal script,and then forms the calligraphy evaluation view of"the management of classics begins with literacy,and the writing of seal script is based on the six books"and"Taking Qin and Han Dynasties as teachers,and taking quality and thickness as the base".Under the guidance of this comment,it not only gave birth to the seal script master Deng Shiru,who led the trend of the generation,but also made people pay attention to the seal script,research and practice enthusiasm which lasted and affected a number of calligraphers,forming a regional group effect.This also provides some reference and enlightenment for the contemporary seal script creation practice.
基金项目
安徽省哲学社会科学规划项目(AHSKQ2020D168)
万方数据