线性语言在现代插画中的应用——以皖北大写意花鸟画为例
The Application of Linear Language in Modern Illustration:Taking the Freehand Flower-and-bird Painting of North Anhui as an Example
唐蓓 1李红1
作者信息
- 1. 宿州学院美术与设计学院,安徽 宿州,234000
- 折叠
摘要
为了推动中华优秀传统文化创造性转化、创新性发展,提升中国现代插画在国际艺术舞台上的影响力和认可度,文本分析了中国传统绘画艺术中皖北大写意花鸟画线性语言的审美特点,探讨将皖北大写意花鸟画线性语言融入现代插画设计创作中的方法与策略,借助线性语言的丰富性和意象表达,并与现代数码技术相结合,以此来丰富和创新现代插画的表现手法和内涵,形成中国现代插画的独特风格.
Abstract
In order to promote the creative transformation and innovative development of Chinese excellent traditio-nal culture and enhance the influence and recognition of Chinese modern illustration on the international art stage,this paper analyzes the aesthetic characteristics of the linear language of the freehand flower-and-bird painting of North Anhui in the traditional Chinese painting art and discusses the methods and strategies of integrating the linear language of North Anhui freehand flower-and-bird painting into the design and creation of modern illustration,with the help of the richness and image expression of linear language,combined with modern digital technology,in order to enrich and innovate the expression and connotation of modern illustration,and form the unique style of modern Chinese illustration.
关键词
现代插画/皖北大写意花鸟画/线性语言Key words
Modern illustration/Freehand flower-and-bird painting of North Anhui/Linear language引用本文复制引用
出版年
2024
国家科技期刊平台
NSTL
万方数据