"残缺"与"再生"——裂痕技法在陶艺创作中的艺术表现张力探索
"Incompleteness"and"Regeneration"—Exploration of the Artistic Expression Tension of Rift Technique in Ceramics Creation
朱阳1
作者信息
摘要
在漫长的历史发展过程中,陶瓷作为我国传统文化的瑰宝,其本身的物质属性和文化属性极其丰富,而"裂痕"作为一种当代艺术肌理语言在陶瓷上亦有其独特的魅力.然而,当今大众对于这种肌理的理解仍然存在一定的局限性.因此,有必要深入探索裂痕的双重性质,以便更好地理解其在陶艺中的表达方式,本文以陶艺裂痕肌理为研究对象,旨在探索这种语言在陶艺中的破坏性和创造性表达,并分析这种表达对观众参与的影响.通过对此进行深入的理论和实践研究,笔者希望能够拓展对陶艺中龟裂肌理表达的认识,并为艺术家和观众提供更深入的思考.
Abstract
In the long historical development process,ceramics,as a treasure of China's traditional culture,have their own material and cultural attributes and their richness,and"rift"as a contemporary art texture language also has its unique charm in ceramics.However,today's public understanding of this texture still has certain limitations.Therefore,it is necessary to explore the dual nature of rift in depth in order to better understand its expression in ceramics,and this paper takes the texture of pottery rift as the research object,aiming to explore the destructive and creative expression of this language in ceramics and analyze the impact of this expression on audience participation.Through in-depth theoretical and practical research,the author hopes to expand the understanding of the expression of cracked texture in ceramics and provide artists and audiences with more in-depth thinking.
关键词
陶艺/裂痕肌理/残缺/再生Key words
Pottery/Rift texture/Incomplete/Regeneration引用本文复制引用
出版年
2024
NETL
NSTL
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