清代宫廷龙纹形态研究——以陶瓷和服饰装饰为例
A Study of the Dragon Pattern Forms in the Qing Dynasty Imperial Court—Using Ceramics and Costume Decoration as Examples
王亚丽1
作者信息
- 1. 景德镇陶瓷大学,景德镇,333403;武汉博物馆(武汉市文物交流中心),武汉,430024
- 折叠
摘要
龙纹样自史前时期便作为一种图腾出现在陶器及墓葬中,在等级制度森严的清代,皇帝被认为是神龙的化身,龙纹样的运用具有严格的规范性与排他性.清代龙纹造型规整、细节详实、姿态威武,形式既有程式化的一面,又体现出多变特征.服饰与陶瓷装饰是研究龙纹图案最具代表性的门类,从龙纹的发展、形式特征与纹饰组合三个方面入手能够更好地挖掘清代宫廷龙纹的文化内涵.
Abstract
The dragon pattern has been present as a totem on pottery and in burials since prehistoric times.In the highly hierarchical Qing Dynasty,where the emperor was regarded as the incarnation of the dragon,the use of dragon patterns followed strict norms and exclusivity.Dragon patterns in the Qing Dynasty exhibit regularity,intricate details,powerful postures,and a combination of formalization and diversity.Clothing and ceramic decoration represent the most representative categories for studying dragon patterns.Exploring the cultural significance of Qing Dynasty imperial court dragon patterns can be enhanced by examining their development,formal characteristics,and decorative combinations.
关键词
清代/龙纹/形态/文化内涵Key words
The Qing Dynasty/Dragon pattern/Form/Cultural significance引用本文复制引用
出版年
2024
NETL
NSTL
万方数据